Noted scholars [Holcomb and Scruggs] provide a solid framework for the study of the connections between Hemingway's writing and the literary works of black writers. The collection's unity relies on defining the "Black Renaissance" as encompassing not only the Harlem Renaissance but also teh subsequent advances in black literature sustaned through and beyond the war years, the Black Arts period, and "into the present transnational phase."—Choice Review
In Gaming Matters, Judd Ethan Ruggill and Ken S. McAllister offer a playful and provocative look at the computer game medium, arguing that games are:
Idiosyncratic, and thus difficult to apprehend using the traditional tools of media study
Irreconcilable, or complex to such a degree that developers, players, and scholars have contradictory ways of describing them
Boring, and therefore obligated to constantly make demands
on players' attention
Anachronistic, or built on age-old...
Ground|Water is an ode to a dry river, the kind of river most familiar to those who dwell in Southern Arizona. It is also an experiment in making something beautiful from something that has been desecrated. And it is a strong message about community and responsibility.
“SCISSORS, PAPER, ROCK is a book of insight and honest love; it has the lyricism of family legend, and the dead-on truthful ring of a report from the trenches. Fenton Johnson has made something wonderful here.”
Barbara Kingsolver, author of Pigs in Heaven
“The emotional power of SCISSORS, PAPER, ROCK resides on a plot of land in Kentucky…, [It] chronicles the courtships, the births, the deaths and the agonizing disappointments of two generations of the Hardins of Strang Knob…When we first...
A prizewinning poet and nature writer weaves together natural history, biology, sociology, and personal narrative to tell the story of the lives, habitats, and deaths of six extinct bird species.
“This story – of the ghost species still haunting this continent – is full of power and mystery.”
Bill McKibben, author of The End of Nature
“I was mesmerized by this fine book and felt in reading these lost natural histories as if I had both been given a gift and had one taken away.”...
“Christopher Cokinos goes from pole to pole in his search for the bits of cosmos that fall onto the Earth, and the remarkable people who collect and study them. He is a natural philosopher and gifted writer who sprinkles his own kind of stardust on every page. If you have ever wished upon a falling star, this is your chance to know just what is falling, where it comes from, what it tells us about our place in the universe – and what things in life are worth wishing for.”
Chet Raymo, former...
From a poet and essayist whose writing about nature has won her comparisons with Gary Snyder and Terry Tempest Williams comes a new collection that offers further evidence of her ability to trace the intersections of the human and nonhuman worlds. The title poem is a lyrical excavation of the city of Prague, where layers of history, culture and nature have accumulated to form “a genius loci”—a guardian spirit.
In contemporary America, land of tell-all memoirs and endless reality television, what kind of person denies the opportunity to present himself in his own voice, to lead with “I”? How many layers of a life can be peeled back before the self vanishes?
In this provocative, witty series of meditations, Ander Monson faces down the idea of the memoir, grappling with the lure of self-interest and self-presentation. While setting out to describe the experience of serving as head juror at the trial of...
Props? Already on the ready. The slipper, the spindle, the seashell, the sword. The coach, the comb, the cauldron, the cape. The apple, the bread, and the porridge. And look, even simpler things in the dusty shadows, from earier iterations of these tales. The feather, the stone, the bucket of water; the knife, the bone, the bucket of blood. —from the foreword by Gregory Maguire
Contributors to this anthology include Kim Addonizio, Neil Gaiman, Hiromi Itō, Ilya Kaminsky, Jonathan Keats, Lydia...
Alison Hawthorne Deming ’s fourth collection of poems follows the paths of imagination into meditations on salt, love, Hurricane Katrina, Greek myth, and the search for extraterrestrial life, all linked by the poet’s faith in art as an instrument for creating meaning, beauty, and continuity—virtues diminished by the velocity and violence of our historical moment. The final long poem “The Flight,” inspired by the works of A. R. Ammons, is a twenty-first century epic poised on the verge of our...